About Raz

Electrotechnics student. Guitar creator. Music builder.

Green Mic Preamp Finished!

Finally I finished my Green Mic Preamp.

The project is slowly dyeing off, since the source files are hard to obtain.

I plan on making a better simplified SMD version which I will share.IMG_0002IMG_0001

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Headphones or Ear Muffs?

While straying around my favorite on-line auction site, I came across something advertised as headphones. I was in desperate need of monitoring headphones for my studio, so a cheap vintage looking headphones was my choice.

I usually don’t buy unknown stuff, but this seemed a good vintage quality.IMG_20160523_213507

Well to my surprise a pair of DIYed communist ear muffs turned headphones arrived. I was thrilled! I wanted to do this kind of mod for a long time, but never got around to it, and most importantly I love and appreciate DIY electronics, especially old ones from the regime gone by, when it was hard to obtain even the basic parts for building something.

So the first dissection showed a polystyrene fill and most importantly, what has been used for the audio transducer… an old Tesla ARZ 084. It’s a AlNiCo, 84dB 0.25W, 75 Ω, “wide range” (350-4500) speaker. Used in old small germanium transistor radios etc.



I couldn’t be happier! I chopped the old horrible wires with a DIN-5 connector and startedrefurbishing. I just couldn’t wait how the headphones will sound…

First I opened the headphones and desoldered the speakers.


Drilled bigger holes for the rubber reducers for the audio cables. The plastic was cracked around the mounting point…



For connecting the two phones I used a small 50 Ohm, very flexible and sturdy coax. I used it in one of my audio amplifiers as well and it proved to be suitable. It is half the price of the standard shielded cable, and after a discussion with my colleges who do HF measurements about the suitability for audio, which they approved and I will continue to use it.

For the rest of the cable connecting headphones to the jack I used a standard 2 meter, shielded stereo cable.

I was pleased with the way everything fallen in place.

For the jack connector I decided on the one I just ordered from china to try out. I must say it is high quality, there is a little problem when you try to unscrew the 6.3 mm jack, you unscrew the whole connector. This can be fixed with a drop of glue or by wear out over time.

Jack used


Everything has finally fallen into place. Now to try it out…

I chose Jack White’s Blunderbuss.

Ok, first few seconds quite good, a little too silent when at MAX volume due to speaker impedance I guess…and now the BASS part…


What did I expect anyway…No bass in sight. But I am not sad, I will probably upgrade the in the future with something like this.

Anyway, this has been a fun project.



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High Performance Microphone Preamplifier

I build this primarily to use with my Tascam DR-40, since it doesn’t have enough gain for dynamic microphones, and it turned out great. I have couple of boards and components bundled together as a kit. Battery not included.

If anyone is interested, drop me a line.

Op-amp is: AD8648 ARUZ
High Gain about 43dB, set by a trimmer.
Balanced input, unbalanced output.
Very simple, mainly for field use. Very low battery consumption below 6mA.
SNR about 94dB
Trimmers are bottom mouneted now.
Green LED to indicate ON/OFF.


2014-05-18130123 2014-05-18125426 2014-04-15125545 2014-04-15125512 2014-04-15125457

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Fetboy Microphone Preamplifier

The famous Fetboy (Hamptone) Microphone Preamplifier.

Layout updated with 2k multi-turn trimmers to set the working point of the J-FETs. MPSA14 and BD139 used in working prototype.

Layout was made for transformers I had laying around.

Coupling capacitors can be changed to anythin from 10uF-47uF electrolytes. The poly capacitor is really not necessary.

About 26dB of gain.

Set 4V at the 100Ohm resistors (R8, R14) with the 100k trimers (R7, R13). Then set working point using a generator and osciloscope and the 2k trimers (R19, R20).

FETBOY (Hamptone) Microphone Preamp

Eagle 5 files availible for download. Supply PCB for a 24VAC transformer included.


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Program along with Joey Ramone!

I came along this interview by chance, and I thought you might like it.

Joey Ramone in the 1984 Issue of K-Power computer magazine

Here is the part of the interview I really like and relate to, Joey could see to the future, no question…

“I think it’s interesting and exciting (the computers) – I just hate to see it get out of hand. I like the basic things. I can appreciate computers, but I’d like to see kids take chances. Kids are so conservative today. I think the computer age is a big part of it. Computers can become too much like a crutch. I think kids need to experience more stuff that’s real.”

That implies not only to kids now days. I think.

Read more here, page 38:


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Records on Bones

I found out about this phenomena from an older interview with Eugene Hütz. What it is it’s basically a record copied onto an X-ray. People are really creative when there is a need for something but you got short supply. Back in the day, in the eastern Europe, especially in Russia and Ukraine even in the fifties people copied vinyl records like this. What a tangible experience it must have been. Far from the quick mp3 copy onto your iPod.


Photo taken from: http://bujhm.livejournal.com/381660.html

Here the transcription of the interview, Eugene explains better:

Interviewer: I, myself I’m a doctor so I’m very interested in the story I heard about music on X-rays. Can you tell that?

Eugene Hütz: Yeah, sure! I probably spilled that story somewhere.

“small talk”

Eugene Hütz: It’s just something, kind of a phenomenal thing that happened in eastern Europe, when in sixties and early seventies we didn’t have distribution of any western records, so what people did, if you had like a connection in a hospital, people would take vinyl plates of X-rays, of somebodies rib-cage, you know like trauma of an area. And cut them, make them round, and you know it’s a very similar material that is used to make these bendable records.

So then if you had a connection of somebody that works in a theatre, where they have an actual phonograph a thing that makes the cut on the record. They  would bring it over there and then they play one record from the recorder and copied down the running track, on the X-ray. So then you had like a Jimmy  Hendrix record with somebodies broken rib-cage. People called it “music on the bones”…

I have one, which is like a phenomenal collector item, it’s actually of one Russian singer, but eh it shows some enthusiasm right there man, fucking get pretty fucking creative when they’re desperate.

The whole Eugene Hütz interview

Check out the Russian site http://bujhm.livejournal.com/381660.html. I recommend having it translated with Google Translate. And at least listen to the songs, they have a special atmosphere.

For your convenience here is the whole bundle of records on bones: http://www.sendspace.com/file/6rdbvh

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Push Me Pull You

This is an adaptation of an effect called Push Me Pull You from Tim Escobedo. The name says it all, two transitors operating in Push-Pull. The sound is really nasty! If you want to lower your sustain and get some octave, this one is for you! I guess it would be great for organ. You can have a look on his genius designs over at Circuit Snippets.

Push Me Pull You effect redrawn in EAGLE software

The PCB is single sided, easier to make and sufficient for this application.

Push Me Pull You PCB

The source .brd and .sch files along with a .pdf export are available at: http://www.sendspace.com/file/fnsh03

Little sound preview from the original

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The Stooges, as seen by Jack White

I read a rare interview with the White Stripes over at thirdmanrecords.com vault, and this is what caught my eye.

Interviewer:     Lastly, what is the best record hunt story you can share?

Jack White:     I found the first Stooges album in the dumpster behind my house and I had never heard it before.

Imagine Detroit in those years,raw city thorn apart to pieces.

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Class A MOSFET Headphone Amplifier

Here is an adaptation of basic Class A MOSFET Headphone amplifier. Below schematic and the board layout. Its designed as a single sided PCB board. It`s always a good idea to use a low ESR coupling capacitor. Also use a ceramic capacitor in the supply and a good heat-sink for the transistors, at least one for a 5 Watt heat dissipation.

The described MOSFET Class A amplifier. One channel shown.

Amplifier is for use with pretty common 32 Ohm headphones. For input I used RCA connectors, and for output the preffered 6.35 mm TRS (Tip-Ring-Sleve) Jack!

At the bottom you can find a link for with EAGLE .brd & .sch and an exported .pdf. I will later add a tutorial on exporting your boards from EAGLE, so you can really do all by yourself. For link to EAGLE software go to “Links” section of the site

Headphone amplifier`s board layout, for illustration.


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